Movimento.Thoughts taken from the author's working diary.
Painting. (
) The time of painting is a continuous present. Moments follow each other; action and contemplation become the same moment. Remote or pre-figured times, from which the human being is nutrified, converge in the denseness of the gesture. Inhabiting the painting is to feel the moment out of time in the conventional sense: a divided time; divided by us and by our space. The world through the emotional wave that makes us move from the depth annuls pre-coordinates, thoughts and ideas on space and time melt in "other" situations that draw forth all our experience in a sort of fourth wall, to make visible the invisible.
Nomadism.(
) If you take a look at it, there is always "reality" in painting. Also the way of perceiving a painting can diversify itself in time as the reality we are and we live is mutable. For this reason I think that codifying the painterly representation circumscribes and mortifies the experience that is made of reality. But reality has to be discovered. After the experience of one like Turner, or after one like Cθzanne, for example: painters discover that the potential spaciousness that painting takes along (to the surface) doesn't talk about experience, doesn't tell it. You have to re-feel it, you have to"be" the experience to be able to symbolize and threedimensionalize it completely (...). What is then the human immagine of my emotions like? In front of a painting as well as in front of a drawing, in the working phase I know that something internal/interior is getting formed. That something is becoming a drawing from the signs. That the painted look (the look of the painting) has to reply inside us.
Desire.(
) Colours are the plural, nomad sense of the things. A seventh sense. The way of the colours is endless, because the art of "colours" is the research.(
) It means that the colours in the art (and the art of the colours) are a totality. This is our approach for creativity and immagination; and so this is the approach that will become their destiny, because the colours like body and mind is creature that form herself.(
)
Meeting space. The free contact between individuals is like crossroads growing wider in time and space, when they decide to converse their own researches, inventing also the way to do it. There are different ways of perceiving the landscape surrounding us, among which one corresponds to each of us. Therefore I think that the look of the individual different and free arts always can meet and look for each other to originate alternative situations of the socialization of art. These crossroads can't be given, reified: they always are determined by human factors and by the conscious freedom that the contact among these factors appears with and invites to inhabit the deep meaning of the collective experimentation. The new creature can be born from the convergence of parallel worlds and it can be amplified in the still undiscovered non-places of the language or of that what survives of it during the contact among these worlds themselves.
Thoughts taken from the author's working diary.2004-05
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